…And Rebecca Schall as Christine, bring fine, trained voices to the often sentimental songs. Both display solid acting skills giving substance to rather stereotypical roles.

Schall is excellent as Geneva, a woman in an unhappy marriage who comes alive when she sees Venus. The chemistry and sexual tension between the two is immediately evident and the two actors play these scenes with just the right air of wariness, need and desire.

…And Rebecca Schall have lots of fun playing a pair of hopelessly naive lovers and the targets of most of the shows jokes. Schall does a fine turn in the steamy ‘Touch-a, Touch-a, Touch-a, Touchme’.

Schall manages to convey the Gawky awkwardness and fear of rejection that defines the young Louise in ‘Little Lamb’, as well as the vitality and guile of a real star when she transforms into Gypsy Rose Lee, turning the silly childhood song ‘Let Me Entertain You’, into an erotic anthem.

Rebecca Schall is pivotal as Mary Magdalene and does a great job with ‘I Don’t Know How To Love Him’.

The production is a good one and provides an hour that is entertaining if not exactly thought provoking…Rebecca Schall provides an exceptionally winning performance.

This ensemble of comedians was absolutely stellar; their collective ability to spout a laugh line and to communicate outrageous ‘takes’...simply classic…Rebecca Schall as Maria serves exquisite vitriol to her skirt chasing husband.

The star of the show is Miss Adelaide (Rebecca Schall). In her ‘Lament’, she brought back memories of Vivian Blaine. Her accent, her eye rolls, her contorted lips and expressions were not only impassioned and endearing but also wickedly funny.